You may have read our Five Worst Working Directors in Hollywood list last week, and when the responses came in, everyone kept asking why the man above wasn’t on the list. Well, that’s because I was saving him to sit atop a different list I was working on. And that list has arrived today. Some directors started as legends, but over time their projects have declined more and more and now they’re mediocre at best and Uwe Boll-esque at worst. For whatever reason the quality of their work has taken a serious tumble. There are two directors on this list who have redeemed themselves with quality work but for the most part the regression is highly apparent. Here are five film directors who have really gone downhill.
1. Roland Emmerich
Many may argue that Emmerich has always been bad, but I would say that you can make “good” bad movies and “bad” bad movies. That’s the transformation we see here, don’t you agree?
Progression:
Independence Day (1996) — “Welcome to Earth!” *punch* Yes, Independence Day was extremely cheesy and nonsensical, but I’ll be damned if it isn’t one of the most awesome sci-fi movies ever. This was my favorite movie for years growing up.
Godzilla (1998) — Ugh, I had to put this in, even though it doesn’t really fit the pattern, or else you’d yell at me. It’s a sign of things to come: shitty movies about destruction on a large scale. His only success with that theory really was ID4.
The Patriot (2000) — Many hated this movie because it was grossly historically inaccurate, but I actually thought it was pretty great at the time. Heath Ledger does a great job in one of his first roles, and this is just about the last time we saw a coherent performance from Mel Gibson for a long time.
The Day After Tomorrow (2004) — As historically inaccurate as The Patriot might have been, The Day After Tomorrow might be the most scientifically inaccurate movie ever made. This movie played on the Al Gore induced fears of climate change, showing the worst case scenario that could never, ever actually happen.
10,000 BC (2008) — A movie about cavemen that was perhaps one of the biggest throwaway action movies I’ve ever seen with the most nonsensical ending (she’s alive? What?). I did like the CGI sabertooth tiger though.
Next: Independence Day Resurgence – no chance this is even remotely good.
2. Bryan Singer (he gets a pass)
Once hailed as a directing prodigy, Bryan Singer’s career has taken some extremely odd turns over the years. Thankfully X-Men has saved him. Apocalypse looks like it should be decent and we’ll see how 20,000 Leagues under the Sea fares. But check out how badly he went down in the early to mid 2000s.
Progression:
The Usual Suspects (1995) — Universally regarded as one of the smartest films ever made, Bryan Singer wouldn’t be who he is without The Usual Suspects. The film told one of the most twisting, turning narratives ever written, and the end is largely regarded as one of the most shocking twists in movie history.
X-Men (2000) — Back before every superhero from Ant Man to Thor was getting his own movie, we had the original X-Men, and we all thought it rocked pretty hard at the time. The first film kept a limit on the number of mutants, and had a decent story to boot.
X2 (2003) — The second film in the series wasn’t half bad either, but X-Men fighting humans was a pretty lame plot, and the Wolverine flashbacks deserved their own movie. Which they got. And it sucked.
Superman Returns (2006) — And the ship begins sinking. After leaving the X-series to hop into bed with DC, Singer invented the term “reboot” and made a lackluster Superman movie that left no distinct impression on anyone.
Valkyrie (2008) — I’m not sure whether the problem here was with the concept (we know Hitler doesn’t die) or the acting (everyone universally agrees that Tom Cruise ruined this movie) but in any case Valkyrie was bad, real bad.
Next: 20,000 Leagues under the Sea — Singer expressed remorse that he didn’t direct X3, before, after and during watching it, burning Brett Ratner in the process. He’s gotten back in the X-Men game and with success. Let’s hope he stays there.
3. Brian De Palma
De Palma may be a weird choice here, but he delivered some true classics back in the day, but these days his movies usually fall flat every time.
Progression:
Carrie (1976) — Universally recognized as one of the best horror films of all time, De Palma’s adaptation of Stephen King’s tale of teenage telekinesis is thoroughly excellent.
Scarface (1983) — Love it or hate it, De Palma crafted one iconic film here. Yeah, it’s a remake, but it’s one that’s actually better than the source. You may credit Pacino, but it’s De Palma who made it happen.
Mission Impossible (1996) — The Mission Impossible series has a strange lineage with J.J. Abrams debuting his directorial abilities in the third film, John Woo slow-motioning the second, and De Palma behind the original, which many would argue was the best.
Mission to Mars (2000) — But now things start to go awry. This movie had some interesting concepts behind it, but was in no way a good movie and it sits on the bottom shelf of the space adventure genre.
The Black Dhalia (2006) — This movie looked truly epic at the time of its first trailer, but upon release it was slammed with negative reviews. Sure it may have been the most overrated duo on the planet Scarlett Johansson and Josh Hartnett’s fault, but De Palma should have done better.
Passion was terrible and who knows what this guy’s gonna do next.
4. Ridley Scott
Yeah I went there. Ridley Scott’s decline might be from “godly” to “decent” but it still is a decline nonetheless. But I fully believe he’s still got some real hits left in him as evidenced by The Martian. That was a great return to form for Scott. However, this progression should bother you as it did me.
Progression:
Blade Runner (1982) — Between this and Alien, Scott has secured himself a place in movie history, and was one of the greatest sci-fi pioneers of the 70s and 80s right alongside Spielberg and Lucas.
Thelma and Louise (1991) — Showing a wide range of diversity, Scott took the tale of two fed up women and turned it into an epic, award winning cross country crime spree.
Gladiator (2000) — The Oscar winning ancient Rome epic made Russell Crowe a star and showed that Scott still had it in him, even after twenty years in the business.
Black Hawk Down (2001) — Here things start to slip. Black Hawk Down is a pretty good movie, no doubt, but it’s not particularly memorable.
Kingdom of Heaven (2005) — Speaking of not memorable, does anyone remember anything about this one? At all? I had no idea Scott directed it, and it was decent enough I guess, but not lasting in the least.
A Good Year (2006) — Crowe and Scott took a lot of shit for this one. I’ve never seen it myself, but critics weren’t too happy with it, and neither were audiences. But Scott still stands by it to this day.
American Gangster (2007) — This movie had award-winning written all over it, but when it actually went to theaters, it lacked any real punch. Denzel Washington might as well have been playing Denzel Washington, and Crowe phoned in his performance so much that he could have just sent a cardboard cutout of himself strapped with a tape recorder.
Body of Lies (2008) — This movie got pretty decent reactions, but still, we want the old Ridley Scott days where he made movies that were complete and utter classics. It’s sad that I barely even feel compelled to see his movies any more.
Robin Hood (2010) — He was back with his muse Crowe for the fifth time, retelling the classic story but it was awful.
Prometheus (2012) – Universally panned.
Exodus: Gods and Kings (2014) -He was definitely joking when he made this film.
The Martian (2015) – Thank God he’s back!
5. M. Night Shyamalan
No one else on this list has had even close to the kind of career nosedive that M. Night Shyamalan has experienced. His first studio film was Oscar nominated and heralded as the horror picture of our time, and he the new visionary director of our generation, but each film since has gotten a little bit worse, and with his latest, it’s quite literally one of the worst movies ever made.
Progression:
The Sixth Sense (1999) — The Oscar nominated, brilliantly written and shot film is one of the best horror movies ever made. It’s hard to believe we started this high…only to fall so low.
Unbreakable (2000) — An excellent take on what it means to be a normal man with extraordinary abilities. Not as impactful as Sixth Sense, but very well made nonetheless.
Signs (2002) — For all the shit Signs gets because of its ending, the movie itself is pretty damn good. But it’s that ending that spoils the whole thing. Really, alien invaders get burned by water? What if it rained?
The Village (2004) — The ultimate example of a movie with a twist for twist’s sake. It cemented M . Night as the “twist guru” and cause his subsequent projects to veer away from that so he could avoid criticism.
The Lady in the Water (2006) — But criticism he got, and it was all deserved. Lady in the Water is at best and innovative idea for a movie, and at worst an incoherent mess of randomness that seemed like a low point for Shyamalan.
The Happening (2008) — However, it wasn’t the low point, this was. The Happening had the potential to be truly terrifying, as mass suicides around the country is a chilling premise, but the film is SO BAD. In fact, I’m proud to have it sitting atop my list of the worst movies ever made, and I don’t say that lightly. The acting, the writing, the plot, it all makes you wonder if he plagiarized his first three movies.
Avatar: The Last Airbender (2010) — M. Night was tired of taking crap for his movies, so went going completely outside the box to mix things up. And it wasn’t pretty
After Earth (2013) – I can’t talk about this film. It hurts too much.
Next – Split – no clue and at this point I don’t care.
He could be decent TV show director though. He directed an episode of Wayward Pines.
Note: Michael Bay has been consistently decent at churning out popcorn flicks for years. Don’t say I forgot him.
